Petits Bijoux Small Painting Jewels

Tags

artists, bouquets, brushstrokes, California, dance, expressive, flora, flowers, France, gallery, garden, inspiration, Japan, nature, small works

Upstairs Art Gallery, 306 Center Street, Healdsburg

Please join May’s featured artists
MARSHA CONNELL and DAN SCANNELL
Saturday May 12, 2-5 pm for our artist reception

Petits Bijoux  Small Painting Jewels  by Marsha Connell

Plein air painter, Marsha Connell, is exhibiting a collection of Petits Bijoux, Intimate Scale Paintings from France to California, in the Upstairs Gallery’s Small Works Showcase. The Showcase is uniquely situated to be viewed as you climb up and down the staircase.

These “Small Jewels” celebrate encounters with wild and domestic landscapes, and traveled home in suitcases to tell the story. Marsha’s expressive and rhythmic brushstrokes are a dance of color, in oil and pastel.

Reaching the top of the stairs, you can meander in Marsha’s larger scale garden paintings, from the coast to tabletop bouquets.

Creek at Bowling Ball Beach by Marsha Connell, oil, 12 x 12″

Upstairs Art Gallery is on the Mezzanine above Levin Books on the Healdsburg Plaza, across from the Gazebo.

Stop in anytime to view this month-long show, open daily 11-6, hosted warmly by the dozen plus artist/owners.

Snow and Wildflowers 1 by Marsha Connell, oil on canvas, 12″x12″

I’m a new partner and will be hosting the gallery:
Saturday May 19, 3-6; Sunday May 20, 2-6; Sunday May 27, 11-6.

Renoir’s Bridge 1 by Marsha Connell, oil on canvas, 7 ½”x 9 ½”

Flora and Fauna in Silver and Gold  by Dan Scannell

Dan Scannell’s new series was inspired by Japanese screens from the 19th century.

He became interested in the highly stylized nature scenes, and thought it would be interesting to create paintings based on Sonoma county flora and fauna. He then finished the backgrounds of these paintings using gold and silver leaf as Japanese artists did when making screens.

Gold Magnolia by Dan Scannell

Still Life with Colander or 36 Views of Persimmons

Tags

constellations, ekphrasis, Hiroshigi, Hokusai, Japan, landscapes, luminous, Mount Fuji, persimmons, perspectives, sacred, Sally Baker, tabletop, Ukiyo-e

Still Life with Colander
or 36 Views of Persimmons

written by Marsha Connell for my good friend and collaborator Sally Baker,
for her exhibit of watercolors and ekphrasis* poetry

There was a time—200 years long—
when Japan shut its doors to travelers from the West,
to sailors and missionaries, to diplomats and artists —
Sakoku, closed country.
And Japanese citizens could not travel abroad —
to prevent disruptive influences,
for purity of culture, internal peace.

Now Japan is a very small country, a nation of islands.
Imagine the wanderlust, the cabin fever, living within
such circumscribed boundaries for a lifetime, for ten lifetimes!
Thus, elaborate ritual journeys evolved, with way stations,
pilgrimages and shrines,
measured by small distances and changing views
of sacred Mount Fuji.
And so began, too, the practice
of painting the serial journey. First Hokusai’s
woodcuts, 36 views of Mount Fuji,
then 48 views, then 100, seen, and reseen,
with fresh perspectives and characters.
He inspired Hiroshigi’s 36 views of Mount Fuji,
and 100 Famous Views of Edo.

Ukiyo-e—pleasures of the floating world.
When I see these two characters, in their brilliant orange,
green and blue, their flashy feathers like costumes of kabuki players,
or perhaps priests for a ritual, standing on a classic cobalt,
ultramarine and white textile, under the subtle
presence of stacked orange persimmons
one looming high above like Mount Fuji, peeking over
the lip of a spring green colander, pierced with dark constellations—
I wonder if Sally, ensconced at her studio table, thinks of Hokusai,
and Mount Fuji, when she travels over, under, around, through
her tabletop landscapes, painting her luminous
36, 48, 100 views of persimmons.

(ekphrasis*: the description of a work of visual art)